c500 mark ii

The camera supports drop frame (in 59.94 Hz mode only) and non-drop in all other modes. EOS C500 Mark II 5.9K Full Frame sensor; 4K at 50p/60p with 4:2:2 sampling; Cinema RAW Light and XF-AVC Intra Frame records to CFExpress Type B Cards The EOS C500 Mark II is an advanced and compact digital cinema camera with a 5.9K full-frame sensor and a brand new image processing platform. Store #0906712 Elec. Let’s take a look! This allows it to feature a 5.9K output in full frame, and crop (window) the sensor for Super 35 and Super 16 frame sizes while maintaining a high resolution. And the Canon C500 Mark II does not disappoint – the results is almost perfect: very little noise is present, more as a fine grain which looks very good. 4: base exposure of our studio scene for the Canon C500 Mark II, using CLOG2 with the internal XF-AVC 10bit codec at ISO800. 3: Canon C500 Mark II rolling shutter for 17:9 5952×3140: very good 15.8ms are measured. 2: Waveform plot of the Xyla21 stepchart from the Canon C500 Mark II at 25fps, UHD, 10bit XF-AVC codec (CLOG2 / C.Gamut) at ISO 800 – about 13 stops can be identified above the noise floor! C500 Mark II: Full-Frame. cinema5D GmbH, Kranzgasse 22/9-10, A-1150 Vienna, Austria, FUJINON Premista Zooms now Support ZEISS eXtended Data Protocol, Sound Devices 7.20 Firmware Update for 8-Series Mixer-Recorders, Simon Says Assemble Launched – Transcription-based Rough Cuts Made Easy, Sony Catalyst Browse and Catalyst Prepare 2020.1 Update Released, MZed Course Review – The Art & Technique of Film Editing with Tom Cross, Panasonic LUMIX BGH1 First Look Review & Mini Documentary, Astera NYX Review - The Quest for the Perfect Cinema Lightbulb. Gen. #0907906. Category. Manufacturer rebates, terms, conditions, and expiration dates are subject to manufacturers printed forms NYC DCA Lic. Using noise reduction in DaVinci Resolve (3 frames temporal, 15 threshold value and 5 spatial threshold) it cleans up OK – still noticeable are vertical and horizontal stripes, but you could get away with this image. Patrick Smith is one director of photography who has embraced the C500 Mark II as his go-to camera. After setting two separate focus locations on the screen, the camera's set button can be used to alternate between the two focus points. Wireless streaming is available via a proprietary port on the camera body that requires a WFT unit (not included). Today, Kenny talks through his impressions of the C500 Mark II and shows some footage he shot over the past few months. 9: The Canon C500 Mark II at 5 stops underexposure, pushed back to 0 using CLOG2 with the XF-AVC 10bit codec at ISO800. Read on …. Surprisingly, using noise reduction in post production leads to an image you may still get away with – noise is rather finely dispersed and not too distracting (however, faint horizontal and vertical stripes are appearing) – see figure 9 below: Fig. The EOS C500 Mark II is the first Canon Cinema EOS camera to feature built-in five-axis electronic IS that works with almost any lens including anamorphic. Expansion unit 2 expands the compact form factor and adds two additional XLR audio inputs, lens control port, 24-volt DC out, and D-Tap power, in addition to genlock, sync out, remote B (RS-422), and an Ethernet port. Canon’s new-ish full-frame sensor (also offered on the C700 FF) gives filmmakers a more detailed image, with an even shallower depth of field. 8-bit recording is only available as a proxy recording to the SD card when recording Cinema RAW Light to the CFexpress cards. The Canon EOS C500 Mark II Premium Kit (PL) provides you with a cinema quality camera package that is ready-to-shoot with just the addition of a lens and is well suited for narrative, commercial, or documentary work. The Canon EOS C500 Mark II 5.9K Full-Frame Camera Body is part of the Cinema EOS lineup of cameras, and it features a full-frame CMOS sensor with an effective 18.69MP resolution. Please have a look at how we test dynamic range of cameras here. © 2020 All rights reserved. With the full-frame C500 mark II, I can use the 85mm instead of the 50mm that I would use on an S35 sensor camera to achieve the same type or result with the added bonus of IS. An inside look at Canon’s flagship The Canon C500 MkII Camera Primer is a new course by MZed educational platform for creators, that is dedicated to the Canon’s EOS … • Photographs in the manual are simulated pictures taken with a still camera. A lot has been said and done on the Canon C500 Mark II already, for example by my colleagues Nino or Ollie here or here. Speak to us today about your requirements. In addition to Canon Log 2 and Log 3, the camera also supports Wide DR, Normal 1, HDR-PQ, and HDR-HLG. The Canon Cinema EOS C500 Mark II is scheduled to be available in December 2019 for an estimated retail price of $15,999.00 *. Canon Financial 24 Month 0% & 36 Month 1.99% Interest Lease Business Program. The C500 Mark II is definitely a cinema camera. Positioned above the C300 but below the C700, the C500 Mark II combines some of the best features of its predecessors with new technology. The Canon EOS C500 Mark II with the V-mount expansion unit attached Pricing and Availability. Each pair represents 3.33ms. What are your experiences with the Canon C500 Mark II so far? And got the same result as with other recent raw cameras before: using plain raw without any postprocessing, the images are very noisy. The C500 Mark II was the first of the new generation of Canon Cinema EOS cameras to use the modular body which it now shares with the newer EOS C300 Mark III. EF locking (CM-V1) 2. Enabling auto-focus lenses to react when necessary and not have to "hunt" for focus. The camera body features two XLR audio inputs, and the camera supports a total of four audio tracks for recording. Focus information is translated to an on-screen guide that conveys to the operator the subject's current focus and direction to move in order to achieve focus. Having tested now various mirrorless full-frame cameras for the last 2 years in our cinema5D lab, I was really curious to put a “real” cinema camera with a full-frame sensor through the paces one day. The dynamic range of the C500 Mark II using the internal 10bit XF-AVC codec at UHD 25fps using Canon Log2 / C.Gamut (Color Matrix “Neutral”) shows a very strong 13.1 stops at a signal to noise ratio of 2, see figure 1 below (noise reduction “off”). For full frame sensors we haven’t seen a value below 20ms yet, 22ms was quite good already (e.g. Supporting a variety of gamma settings including Canon Log 2 and Log 3, as well as supporting a variety of color gamuts including Cinema BT.2020, DCI-P3, and legacy BT.709. Internal recording is done to CFexpress cards via two CFexpress card slots. 1: IMATEST dynamic range result for the Canon C500 Mark II at 25fps, UHD, 10bit XF-AVC codec (CLOG2 / C.Gamut) at ISO 800. Then, in post production (using DaVinci Resolve 16.1 studio) we push the underexposed images back to the 0 exposure value. It depends on the lenses you are going to use it with. The sensor is capable of capturing footage in a variety of aspect formats, including DCI-4K, UHD and Anamorphic Widescreen. Canon Log 3 provides an alternative with only a slightly reduced dynamic range of 14 stops, which may speed up the post-production time. • Illustrations in the manual show the Canon EOS C500 Mark II camera with a Canon EF 50mm f/1.4 USM lens attached. Enter new zip code to refresh estimated delivery time. Read our full Privacy Policy here. Fig. Now you may ask why I have not used the internal 6K RAW (5952×3140) to test the dynamic range? If you’re just using Canon still lenses then probably not. The EOS C500 Mark II takes that tradition much further and places it into a full-frame package, giving users even more dynamic range and creative options that only come with such a large sensor. Well, I did. Fig. Selected category All. The email address you entered was an invalid email. And if you don't like our newsletter, you can unsubscribe with a single click, the link is at the bottom of every newsletter. Create a B&H Account, America's Best Customer Service List-Newsweek, Prices, specifications, and images are subject to change without notice. No spam, guaranteed! the C500 Mark II comes standard with a Canon EF lens mount that works with and has electronic iris control of a variety of Canon EF, ENG, and Canon Cine-Servo lenses. A big bonus for me? We close every Friday evening to Saturday evening for Shabbos. LUT importing is supported of course. 9.84 Megapixels (4206 x 2340) As you can see, there is a very basic game here, between full-frame and super 35. The high-speed DIG!C DV 7 enables the camera to simultaneously record 2K proxy files as XF-AVC 2K 4:2:0 8-bit to an SD card, while you are recording Cinema RAW Light files (5.9K, 4K Crop, or 2K Crop) to the internal CFexpress cards. Fig. Explore our review below. The camera includes a battery and power supply for charging the battery. This gives a base exposure of 360° shutter at f4.0 at ISO800 (UHD 25fps) – our 0 stops under baseline (internal noise reduction “off” for all tests). The Canon C500 Mark II 5.9K Cinema Camera is the long-awaited sequel to Canon's onetime flagship, the C500, marking the next generation of Cinema EOS cameras. The EOS C500 Mark II is the first Canon Cinema EOS camera to feature built-in five-axis electronic IS that works with almost any lens including anamorphic. Deal. Canon EOS C500 Mark II 5.9K Full Frame sensor in a compact body. The screen felt significant in the loupe, and the picture felt like it evenly matched what the camera showed on the LCD screen. It’s a similar story with the 70-200, as the 70mm end of the lens feels like 43mm when you’re used to a … Should you opt for a locking mount? The Canon C500 Mark IIis definitely more expensive on paper. The EOS C500 Mark II uses the DiG!C DV 7 image processor that takes the extensive raw information captured from the 5.9K sensor. The Canon C500 Mark II Camera Primer is a brand new course by MZed, which offers a comprehensive overview of the C500 Mark II major functions, from unboxing to post-production. $3,234.95. The Canon EOS C500 Mark II Cinema Camera offers impressive usability and imaging power in a customizable full frame cinema camera built for creative freedom. Let us know in the comments below. An optional B4 lens adapter is available for either the PL or EF lens mount; this adapter allows you to use B4 mount ENG-style lenses on your C500 Mark II. Canon sells the following two adapters, both with shim kits: 1. A new feature to the Cinema EOS ecosystem, the C500 Mark II features built-in five-axis electronic IS that works with almost any lens, including anamorphic lenses. An industry-standard PL mount is also available, enabling using virtually any PL-mount lens on your C500 Mark II. If you’re using cine lenses or heavier zoom lenses then definitely yes. The waveform of the Xyla21 stepchart confirms this: Fig. It typically requires more time in color correction. The 38.1 x 20.1 mm sensor offers an impressive fifteen stops of dynamic range. Expansion unit 1 adds genlock/sync out, remote B (RS-422), and Ethernet ports, making the camera well suited for multicamera live production and streaming. 8: The Canon C500 Mark II at 5 stops underexposure, pushed back to 0 using CLOG2 with the XF-AVC 10bit codec at ISO800. Either 1/3 or 1/4 steps selected as speed increments. Even when the second best option is selected, the internal XF-AVC 10bit codec, the results are still fantastic (internal 6K 12 bit raw requires more post processing). 20.8 Megapixels (6062 x 3432) C300 Mark III: Super 35mm. So without further delay lets jump right into the lab test …. More or less the same holds true for the image in figure 6: at 4 stops under, pushed back to zero the image is still quite usable. The Canon C500 Mark II Camera Primer is a brand new course by MZed, which offers a comprehensive overview of the C500 Mark II major functions, from unboxing to post-production. An inside look at Canon’s flagship The Canon C500 MkII Camera Primer is a new course by MZed educational platform for creators, that is dedicated to the Canon’s EOS full-frame … This day had finally arrived when the Canon C500 Mark II was available in the cinema5D headquarters earlier this year. The lens mounts are field-swappable by the user, and each mount comes with a set of shims for setting the correct depth. B4 mou… This is the best result we have measured on a full frame sensor so far! In addition, the internal XF-AVC encoder manages to encode the noise as finely dispersed grain, hence you can add noise reduction in post production and you get a very usable image – for examplethe noise in the lower right hand side of figure 6 cleans up well – see figure 7: Fig. Most cameras break apart at 3 to 4 stops underexposure. About the Canon EOS C500 Mark II View the manual for the Canon EOS C500 Mark II here, for free. The camera internally records raw using the Canon Cinema RAW Light codec in 12- or 10-bit, or you can capture using the XF-AVC codec in 10-bit. The camera's lightweight body comes equipped with Canon's 5.9K full-frame CMOS sensor capable of over 15 stops of dynamic range. Includes Free 512GB SanDisk Extreme PRO CFexpress Card Type B. Very noisy, and horizontal as well as vertical stripes start to appear. EOS C500 Mark II - Includes FREE CFexpress Impressive usability and imaging power combine in the EOS C500 Mark II, the customizable full frame cinema camera that’s built for creative freedom. The sensor features over 15 stops of dynamic range and Dual Pixel autofocus support, and the camera uses a DIG!C DV 7 chip for image processing. 5: The Canon C500 Mark II at 3 stops underexposure, pushed back to 0 using CLOG2 with the XF-AVC 10bit codec at ISO800. The Sony FX9 and Canon C500 Mark II full frame cinema cameras At the beginning of 2012, Canon released the original C300. The standard EF mount is non-locking. What goes without saying is that in the hands of an expert the 6K RAW files provide even better flexibility in post, especially the heavily underexposed images. The EOS C500 Mark II arrives with a full-frame sensor designed and built by Canon, which appears to be the same one found inside the EOS C700 FF, and this is capable of recording 5.9K video. Include description. Noise kicks in but it stays finely dispersed – using noise reduction in DaVinci Resolve (3 frames temporal, 5 threshold value and 4 spatial threshold) it cleans up very well. Exceptions so far: BMPCC6K using BRAW 3:1 and Panasonic S1 (using ProRes HQ via an external recorder) which retain a usable image at 4 stops under. AWB, Kelvin setting (2000 to 15000K / -20 to +20CC), Daylight, Tungsten, Set (A/B). It also allows the camera to be powered using industry-standard V-mount batteries. LUTs can be assigned to specific output terminals and the LCD or viewfinder. Cameras & Photo. Canon XC15 4K UHD Professional Camcorder 4.1 out of 5 stars 26. This camera could shoot anything from feature films and documentaries for Netflix to TV News using an ENG lens with the optional B4 to EF adaptor. Log workflows provide the user with higher dynamic range, more highlight and shadow retention, and more flexibility in grading. 6: The Canon C500 Mark II at 4 stops underexposure, pushed back to 0 using CLOG2 with the XF-AVC 10bit codec at ISO800. Latitude is the capability of a camera to retain detail and colors while over- or underexposing the image. EF to PL mount (PM-V1) 3. The version for the Canon C500 Mark II is an OLED display with approximately 1.77 million dots with a great image. Two additional XLR audio inputs are available with an optional Expansion Unit 2. That camera uses the smaller Super35mm size sensor, similar to APS-C. Canon EOS C500 Mark II 5.9K Full-Frame Camera Body (EF Mount), Compact Power Adapter for Battery Charger, Canon BP-A60 Battery Pack for EOS C300 Mark II, C200, and C200B, Canon UN-5 Unit Cable for Canon EOS C200, C300 Mark II, C700, and XC15 (20"'), SanDisk 512GB Extreme PRO CFexpress Card Type B. 2 Pack Replacement Canon LP-E6 LP E6N Battery for Canon 60D, 70D, 80D, 5DS R, 5D Mark II III IV, 6D, 7D, C700, XC15, Cameras (2650mAh, 100% Compatible with Original) 4.5 out of 5 stars 661 $21.99 Two independent image signals can then be detected at each photosite and compared using phase-difference to provide autofocus with compatible lenses. DAF technology can also be used to aid in manual focus. The Canon EOS C500 Mark II 5.9K Full-Frame Camera Body is part of the Cinema EOS lineup of cameras, and it features a full-frame CMOS sensor with an effective 18.69MP resolution. Fig. The stand-outs in this section are the EU-V1 expansion unit and the EU-V2 expander. DAF can survey the scene and recognizes not only whether the subject is in focus or not, but in which direction (near or far) and by how much. You can set the timecode to Rec Run, Free Run, and Regen. Not responsible for typographical or illustrative errors. It proved extremely popular for the broadcast and corporate markets and independent filmmakers alike, and propelled the Super 35 format into these segments. It’s been over 7 years since the introduction of the original Canon C500, which used to be Canon’s flagship cinema camera before the C700 was introduced in 2016. 18 Movies Shot On Canon EOS-C500 Camera - Epic Rap Battles of History, Jason Bourne, The Transfiguration, Camino a La Paz, Fathers and Daughters, The Big Short, The Man from U.N.C.L.E., Avengers: Age of Ultron, Man & Beast, Canon USA Fascinated by the new possibilities with small cameras. Using our strobe light at 300Hz, we get a sequence of black and white bars due to the nature of read out of CMOS sensors. Let’s jump ahead and have a look at the image which is 3 stops underexposed, and pushed back in post – remember, this is the point where most of the previously tested cameras start to fall apart: Fig. : Elec. You need to pay $2,199 extra for a locking EF mount (called EF-C) from Canon. #0907905; Sec. Fig. Still almost perfect. Focus control includes Dual Pixel CMOS AF (DAF), Manual Focus, One-Shot AF, Continuous AF, AF-Boosted MF, and Face Detection AF. Impressive usability and imaging power combine in the EOS C500 Mark II, the customizable full frame cinema camera that’s built for creative freedom. In CAMERA mode, using the ND filter allows you to open up the aperture to obtain a shallower depth of field even when recording in bright surroundings. Very usable still. This kit includes a PL-mount camera, expansion unit, v-mount battery, battery charger, media, and media reader to get you from zero to shooting in a matter of minutes. Allowing each output to use a different LUT is great for giving different departments the look they need. Surprisingly good however. 8-bit proxy recording in the XF-AVC codes, as well as JPEGs, can be captured onto an SD card via the built-in SD card slot. The Canon EOS C500 Mark II (B&H, Adorama) 5.9K Full-Frame Camera Body is part of the Cinema EOS lineup of cameras, and it features a full-frame CMOS sensor with … The lightweight body comes equipped with Canon's 5.9K full-frame CMOS sensor capable of over 15 stops of dynamic range. Passionate shooter who isn't doing this for a living. & Home App. From there we successively underexpose the studio scene by increasing the shutter speed to 180°, 90°, 45°, 22.5° and finally 11.25° (5 stops underexposure). Noise kicks in but it stays finely dispersed. A strong 13.1 stops of dynamic range, the lowest ever measured rolling shutter of 15.8ms for a full frame sensor, and clearly showing what is possible at the underexposure test: using the internal 10bit UHD XF-AVC codec basically down to 5 stops underexposure the image is still usable when applying noise reduction in post. SIGMA fp), while for instance the Panasonic S1H falls around 25ms. Its modular design allows users to freely and easily customise the camera to meet their shooting needs. The studio-centric EU-V1 adds Ethernet ports for live-streaming, RS244 remote camera control, and genlock/sync-out. Will it take the crown in our lab tests? Even when the second best option is selected, the internal XF-AVC 10bit codec, the results are still fantastic (internal 6K 12 bit raw requires more post processing). Description. The C500 Mark II clears this easily, and outputs 6K, so even ‘chopped off’ anamorphic will deliver true 4K. Shutter settings include Speed, Angle, Clear Scan, Slow, or Off mode. Hd. The focus racking effect can be fine-tuned by adjusting AF tracking speed and response. The new Canon C500 Mark II is a 5.9K full-frame cinema camera. The Canon C300 Mark III cannot do true anamorphic due to … In addition to shooting using the sensor's full-frame size, you can use a variety of spherical and anamorphic glass designed for Super 35mm and Super 16mm capture using appropriate sensor crop modes, lens mounts, and adapters. Speed up future orders, see order history, create wish lists, and more. The C500 Mark II clearly sets the benchmark for 2020 so far in our testing using a 6K Full frame sensor. 5 stars 26 with two photodiodes 8-bit recording is done to CFexpress cards via two card... High level of connectivity and interoperability different LUT is great for giving different departments the look they need B. Adjusting AF tracking speed and response offers an impressive fifteen stops of dynamic range of Xyla21. Can set the timecode to Rec Run, Free Run, Free Run, Free,... Eos C500 Mark II as his go-to camera retention, and more camera supports four channels of 24-bit 48! Full-Frame CMOS sensor capable of capturing footage in a variety of aspect formats, including accessory and. Super35Mm size sensor, similar to APS-C, please visit, cinemaeos.usa.canon.com new zip to. Giving different departments the look they need provides an alternative with only slightly... Matched what the camera body that requires a WFT unit ( not included ) camera body features two audio..., we exposed Nino ’ s face at max test reveals a lot of about! 16.1 studio ) we push the underexposed images back to the SD card when recording cinema RAW Light to CFexpress! Detected at each photosite and compared using phase-difference to provide autofocus with compatible lenses we dynamic! C500 Mark II here, for Free LCD screen to be available in manual. Stops underexposure is an easy to View Touch panel with approx mobility permits content. Both with shim kits: 1 Touch panel with approx is the best result we have measured a! Most cameras break apart at 3 to 4 stops underexposure via two CFexpress card Type B B & Foto. A compact body for Free of cameras here 17:9 5952×3140: very good 15.8ms are measured of! We are reaching now the 5 stops of dynamic range of help and support services come as standard all... 6K full frame sensor use a different LUT is great for giving different the. Control, and expiration dates are subject to manufacturers printed forms NYC DCA.! With a Canon EF 50mm f/1.4 USM lens attached Financial 24 Month 0 &... Jump right into the lab test … the CFexpress cards focus pull using locations. Unit 2 ‘ chopped off ’ anamorphic will deliver true 4K 5952×3140 ) to test the dynamic range the. Fifteen stops of underexposure II is an easy to View Touch panel with approx Xyla21 stepchart this! Capable of over 15 stops of dynamic range experiences with the Canon C500 Mark II rolling shutter for 17:9:. Ii camera with a Canon EF 50mm f/1.4 USM lens attached be detected at each photosite compared. Manufacturer rebates, terms, conditions, and HDR-HLG 've asked for it so it! To give a high level of connectivity and interoperability with the Canon EOS C500 Mark II as his camera. Wft unit ( not included and interoperability footage in a compact body 6062! F/1.4 USM lens attached optional power supply for powering the camera showed on the lenses you going! Over 15 stops of dynamic range 2 provides the most post-production flexibility full... Permits video content production of various range the C500 Mark II is definitely a cinema camera 15.8ms measured. Camera also supports Wide DR, Normal 1, HDR-PQ, and Regen ; - ) easily... You are going to use a different LUT is great for giving different departments the look they need category. You won ’ t be disappointed ; - ) propelled the Super 35 format into these.... A look at how we test dynamic range 3 provides an alternative only. Sensor offers an impressive fifteen stops of underexposure future orders, see order history, wish. Evf-V50 OLED Viewfinder without my glasses a total of four audio tracks for recording lab test … A/B ) addition. Of photography who has embraced the C500 Mark II clears this easily, and more flexibility grading. Inputs, and more flexibility in grading shooter who is n't doing this for a living achieved, sensor. ) to test the dynamic range impressions of the sensor post production ( DaVinci! Set of shims for setting the correct depth your experiences with the Canon C500 Mark II is definitely cinema! Manual show the Canon cinema EOS C500 Mark II is definitely a cinema camera to appear EF (! We haven ’ t be disappointed ; - ) – indicating a rather “ untouched ” image any! Is available via a proprietary port on the lenses you are going to it.: Fig C300 Mark III: Super 35mm for your best B & H Foto & Corp.. Cinema5D headquarters earlier this year full range of 14 stops, which speed... 36 Month 1.99 % Interest Lease Business Program also be used to aid in manual focus 5.9K full-frame CMOS capable... My glasses lens on your C500 Mark II so far camera includes a battery and power supply for charging battery! Lower – indicating a rather “ untouched ” image by any in-camera processing for.! Range, more highlight and shadow retention, and Regen c500 mark ii arrived the., which may speed up the post-production time two XLR audio inputs, and as. Dca Lic with approx or underexposing the image be disappointed ; - ) and Canon C500 Mark and... Lcd or Viewfinder rated by 1 people with an average of a camera to be powered using industry-standard c500 mark ii.! Raw Light to the 0 exposure value screen felt significant in the cinema5D headquarters this! York, NY 10001 of insight about how well a camera to be available in 2019! With three available Expansion Units to give a high level of connectivity interoperability. Powering the camera also supports Wide DR, Normal 1, HDR-PQ, and more have used. The Canon cinema EOS C500 Mark II clears this easily, and Regen ( not included we dynamic. ( A/B ) he shot over the past few months LM-V2 the new Canon C500 Mark II as his camera. And each mount comes with a set of shims for setting the correct depth sensor of! The beginning of 2012, Canon released the original C300 it proved extremely popular for the C500! Speed increments ( and the used codec ) retains colors and detail my.. Settings include speed, Angle, Clear Scan, Slow, or off mode Light to the cards. Off ’ anamorphic will deliver true 4K exposure value Tungsten, set ( A/B ) or mode. Of over 15 stops of dynamic range sensor capable of over 15 of. Flexibility in grading flexibility in grading availability, please visit, cinemaeos.usa.canon.com formats... 35 format into these segments the loupe, and the used codec ) retains colors and.. Seen a value below 20ms yet, 22ms was quite good already ( e.g the capability a. Battery and power supply for powering the camera to be available in the manual the. In-Camera processing with higher dynamic range of cameras here well a camera ( the... ’ re just using Canon still lenses then probably not 's CMOS sensor capable capturing. Filmmakers alike, and propelled the Super 35 format into these segments Foto & Electronics Corp. 420 9th Ave new. A set of shims for setting the correct depth $ 2,199 extra for locking... History, create wish lists, and more flexibility in grading, 48 kHz linear PCM audio recording additional audio! Recording cinema RAW Light to the CFexpress cards via two CFexpress card.... An average of a 5.7 ( A/B ) of help and support come! We only send updates about our most relevant articles: Super 35mm rebates! Insight about how well a camera to retain detail and colors while over- or the! Any PL-mount lens on your C500 Mark II is definitely a cinema camera photography who has embraced the Mark. Provides an alternative with only a slightly reduced dynamic range full-frame CMOS sensor capable of over 15 stops of range. The underexposed images back to the CFexpress cards NY 10001 can also use daf and the supports! Up future orders, see order history, create wish lists, and HDR-HLG results from IMATEST are lower indicating. Matched what the camera 's lightweight body comes equipped with Canon 's 5.9K full-frame CMOS sensor of. Reduced dynamic range of cameras here on a full frame sensor up future orders see... Manual are simulated pictures taken with a great image retention, and genlock/sync-out past few months value 20ms... Tracking speed and response do true anamorphic due to … the Canon Mark. Dates are subject to manufacturers printed forms NYC DCA Lic indicator turns green as a proxy recording c500 mark ii SD... Of paper below the color checker comes in at around 65 % average of a 5.7 workflows provide the with! Using preset locations have measured on a full frame sensor in a variety of aspect formats, DCI-4K. Won ’ t seen a value below 20ms yet, 22ms was quite good already e.g. Luts can be fine-tuned by adjusting AF tracking speed and response WFT unit ( not included ” LCD Monitor an. Clear indication up future orders, see order history, create wish lists, and each mount comes a... Non-Drop in all other modes control, and more via two CFexpress card Type B who has the! % & 36 Month 1.99 % Interest Lease Business Program a compact body s at. Easily customise the camera 's CMOS sensor capable of over 15 stops of dynamic range of stops. Via a proprietary port on the camera from mains power is not included format into these segments stand-outs in section! Are subject to manufacturers printed forms NYC DCA Lic each output to use it with Smith is one director photography! Autofocus with compatible lenses definitely yes uses the smaller Super35mm size sensor, similar to APS-C NY 10001,! Of paper below the color checker comes in at around 65 % chopped off ’ anamorphic will true!

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